I am interested in exploring the links between biology and culture, the present and the primordial, the personal and the universal.
My principal strategies are, the transformation of common objects into other recognizable objects, extreme scale shifts, and the juxtaposition of disparate materials and images.
I have converted items from the home into landscapes or sites of natural and industrial processes to show the interaction of nature, culture, and origins, and constructed models of internal organs from common materials to position these connections within the body.
The body and the home are major themes. Because we understand the world through our bodies, it is the starting point. The home is an extension of our bodies and is the primary source for the production and propagation of culture.
Using architecture as a raw material, I often carve into walls to retrieve material needed to build other objects. It is a means to make literal connections between the architecture and the resulting object or to reveal aspects of their respective natures. What interests me about architecture is its constructed nature, that it is built primarily for the human body, and that it can be a potent stand-in for “the institution” whether it is the home, the gallery, or the museum.
Recently, I have been exploring agriculture and astronomy (cosmology.) Both are instances when we actively interact with nature and our origins. The origin of civilization stems from the advent of agriculture and astronomy actively probes space in the search for the beginnings of the universe.
Although it is not my main goal, using agricultural imagery positions the rural experience as something equally as interesting, important, and complex as the urban. An exploration (embrace) of my own roots is both part of that desire and a mode of inquiry.